Showing posts with label vintage sewing pattern. Show all posts
Showing posts with label vintage sewing pattern. Show all posts

Tuesday, January 20, 2015

Focus On: Dickeys and Vestees

By Sherri, SewBettyand Dot

Do you crack up or cringe when you hear the word "dickey"? It's one of those fashion items that one doesn't hear much about these days: the dickey seems to have (mostly) fallen out of favor (except with Howard Wolowitz on The Big Bang Theory--he's a big fan!).

Historically, dickeys--defined as a false shirt front, or "detachable bosom" (really!)--were items worn by men: laundering garments was expensive (and difficult--no Maytags) in the 19th century, so just as collars and cuffs were removable on everyday shirts, the dickey could be laundered as it was the most visible part of the shirt seen underneath a man's jacket (which was rarely removed outside of the privacy of one's home). The dickey was most often an element of a formal shirt, one worn under a tuxedo or other formal suit. In addition, many uniforms had dickey fronts--again, as a way to save on laundering costs: the bellboy or waiter presented a neat appearance but didn't have to wash the entire shirt beneath the jacket. With the invention of celluloid, an early form of plastic, dickeys went high-tech (for the time). These plastic shirt fronts were held in place either with straps at the back or via trouser tabs. (By the way, the etymology of the word is unclear: Wikipedia says it may come from rhyming Cockney slang: "dickey dirt" means "shirt"; I'm not sure if that's true, but I like it!).
Advertisement for a man's false shirt front or "dicky"/"dickey". From Wikipedia, courtesy of The New York Public Library. www.nypl.org
The dickey with which we are all probably most familiar in our own experience is the pullover turtleneck knit dickey, which is actually a  smart idea: it adds warmth at the neck and throat without adding bulk. From my own youth, though, there were some rather unattractive examples out there (purple acrylic mock turtleneck under a polyester printed shirt, anyone?). 

This is actually a free knitting pattern from FreeVintageKnitting.com; it is from Botany College Hand Knits, Vol. II (1958). 
In terms of women's garments, in the nineteenth century women began to wear chemisettes, or tuckers--these were lightweight (muslin, linen, lawn, lace) sort of half blouses (often tying at the sides) that covered the chest/bosom, both for modesty's sake and to alter the appearance of a dress at a time when people had far fewer clothes. The same dress could be worn in the evening without this item, and the dress would look very different. 

Four chemisettes in the collection of the Metropolitan Museum of Art (metmuseum.org); courtesy the Metropolitan Museum of Art, New York. Three are from the mid-nineteenth century; the one at lower left is from ca. 1925-1930.

These are really kind of dickeys, yes? In the twentieth century, these sorts of items--dickeys and vestees--were worn almost as accessories, as a way to add interest at the neck (and again, change the look of a garment) without adding the bulk of a blouse. They often had bow ties, embroidery, or collars (the peter pan collar was a favorite). Vestees are, as far as I can ascertain, slightly longer garments, and seem to have less ornamentation--but maybe not: perhaps a vestee and a dickey are one and the same for all intents and purposes (fashionista historians, please weigh in and let us know!).

Whatever you call it, there are a million ways to use one of these faux-fronts to change up your wardrobe; in fact, they are a great way to transition between the seasons.

Now let's look at some dickey/vestee patterns from member of the Pattern Patter Team on Etsy! It's interesting to note that in many cases the dickeys/vestees look like part of the dress--you have to look closely to see that a dickey is part of the pattern.
Top row, left to right: DuBarry 5800: Denisecraft

Top row, left to right: Simplicity 3611: AdeleBeeAnnPatterns


Top row, left to right: Vogue 3293: VintageNeedleFinds
 Simplicity 6434: SelvedgeShop

Whether it's a dickey or a vestee, which one of these lovely patterns would YOU don? Tell us in the comments!


Wednesday, November 19, 2014

Focus On: Coats

by Sherri, Sew Betty and Dot

Now that winter is truly upon us, I bet most of us have reached for a coat. What kind of coat are you wearing this year? Duffle, trench, or princess? Reefer, chesterfield, or polo? Loden? Redingote? Trimmer or cocoon? Swagger or clutch? (Or just a plain ol' coat?) These are all styles of outerwear that have been popular since the turn of the twentieth century. In this post, I have focused on long coats--those that come to the knee or below; shorter coats, or jackets, will be discussed in another post.

Coats, specifically "overcoats," are relatively new garments for women; due to the wide skirts that were the fashion up until the turn of the twentieth century, many women wore capes, cloaks, or shawls for warmth (there were exceptions, of course--the pelisse was a long-sleeved outer garment that echoed the lines of ladies' dresses before, during, and after the Regency period).

In the 1920s, coats became fashion statements as much as protective garments against the elements. The straight lines of twenties frocks were covered with cocoon coats, somewhat shapeless garments that swaddled the body; these often had fur cuffs and fur collars. In the thirties, more styles of coats emerged: double-breasted coats that buttoned, including the collegiate-style coat, Hollywood, and reefer coat; the polo coat, a double-breasted wrap coat ; princess coats had, well, princess seams that created a slim silhouette on top with a more flared "skirt" on the bottom half; swagger coats are very full coats, shaped like an inverted "V," usually with raglan sleeves. (By the way, a Chesterfield coat--originally an man's style--is a double-breasted coat with high peaked collars, somewhat flared, with a velvet collar.)
Top row, left: a cocoon coat (courtesy artdecoblog.tumblr.com)
Right: swagger coat (courtesy vintagedancer.com)
Bottom row, left: princess coat (courtesy adore-vintage.blogspot.com)
Right: wraparound, reefer, Hollywood (courtesy vintagedancer.com)

In 1942, as fabric became more scarce due to wartime restrictions, the United States War Production Board implemented L-85, which forbade things such as unnecessary pleating, turned-back cuffs, overly large collars, etc., and coats became much simpler and boxier for a time. After the war, the New Look (nipped-in waist, very full skirt) could also be seen in outerwear (princess coats again). Coats with very full silhouettes and bell sleeves, sometimes called swing coats, were popular (partially due to the postwar baby boom: a full coat was comfortable for a pregnant woman--no belts!). And clutch coats--that wildly impractical garment with no fasteners--were stylish throughout much of the 1950s. And of course, in the 1960s, anything went: women wore men's coats, short swingy coats were made to cover short minis, ethnic influences could be seen (East Asian embroidery, Russian steppe dwellers, poncho shapes)--and of course, there was the maxi coat. 
Left to right: 1940s wartime coats (courtesy uvm.edu; New Look coats (courtesy glamourdaze.com); a 1950s swing coat (unattributed, from Pinterest.com); 1960s coat styles (courtesy secondhandwithstyle.com); early 1970s coat (courtesy bessgeorgette.com)

In the 1970s, maxi coats and trench coats were often seen, with wrap coats becoming very popular (short jackets and longer coats). Duffle coats (wool coats fastened with toggles), pea coats--anyone else here buy those sorts of coats at the Salvation Army? I did!--loden coats...the seventies fashionista could take her pick. As always, fashion recycles itself...in the 1980s and 1990s, some version of almost all of these styles could be had. 

Now let's take a look at some lovely coat patterns from members of the Pattern Patter team. 
Top row, left to right: 1920s/1930s Pattern (PDF): Mrsdepew


Top row, left to right: Vogue 1466: Anne8865
Top row, left to right: Simplicity 9019: PeoplePackages
Vogue 1458: allthepreciousthings

Which one of these coats would YOU like to wrap yourself in? Tell us in the comments!

Tuesday, October 14, 2014

Focus On: Jumpsuits

by Sherri, sewbettyanddot

The jumpsuit: every few years, the Paris runways are full of them; it's a style that has never really gone out of style since its appearance in the early twentieth century. Technically, a jumpsuit is:

  1. a garment incorporating trousers and a sleeved top in one piece, worn as a fashion item, protective garment, or uniform.

But we all know differently! A jumpsuit can be an easy-breezy, cool, and fashionable garment (as a slew of entertainers--Elvis, David Bowie, Freddie Mercury--and fashionistas have known for decades!). 


The word itself explains this garment's origins: they were developed to keep aviators warm in freezing open-air cockpits during the early days of flight (Amelia Earhart can be seen wearing them)--and paratroopers wore them to "jump" out of planes. A similar garment, coveralls, well, they covered all (of the clothing worn beneath them). They are also called "boilersuits," and they were originally worn by workers maintaining steam-powered engines--as this work required one to sometimes climb into the boiler (or firebox on a locomotive), the one-piece suit prevented soot (or embers) from getting into, for example, the waistband of trousers; the sleek lines also helped to prevent the garment from snagging on something when one needed to enter tight spaces. And as skiing became more popular as a leisure-time activity in the 1920s, specially designed ski suits (often one piece for aerodynamics and to keep the snow out) were available, including chic suits by couturiers such as Lucien Lelong and Elsa Schiaparelli).


Women began to fill factories during World War II--Rosie the Riveter, we're looking at you!--and coveralls (and overalls, too) were worn, again, as a protective garment, both in terms of nothing getting caught in machinery (their hair was worn back or wrapped with the famous Rosie bandanna/scarf) AND as a way to keep clothing clean (fabric became more scarce during the war so new clothes became a luxury for most people). Reportedly the workers hated them as they had to practically undress just to use the bathroom--but the coverall has become an iconic image representing the "Yes We Can" spirit of women moving into the workplace and helping in the war effort.


Top left: Clad in a fur lined leather flying suit with oxygen facepiece, NACA test pilot Paul King prepares to take to the air in a Vought VE-7, 1925. Courtesy NASA Langley Center, courtesy Wikipedia.
Top right: Boiler suit [at right], from a 1920s Brown Bros. leaflet, courtesy oldclassiccar.co.uk
Bottom left: Lucien Lelong ski outfit, photo by Egidio Scaioni, 1927.
Bottom right: Factory workers in coveralls/boiler suits in England during World War II. Photo courtesy thephotodetective.co.uk

In terms of a non-work-related jumpsuit, in 1919 Italian designer Ernesto Michahelles--who was part of the Futurist art movement--designed the "TuTa," a T-shaped garment for men cut from one piece of cotton and constructed with one straight cut, several seams, seven buttons and a belt (pictured below, top row left). (He renamed himself Thayaht, a bifrontal palindrome, reflecting the symmetry of his design.) The pattern for the TuTa was published in an Italian newspaper to make it accessible to the greater public. There was also a version for women. Alexandr Rodchenko also designed a uniform-like jumpsuit in 1922 (interesting that artists first jumped on the bandwagon--pun intended!). And from that point forward, as some women (those in the upper economic classes, at least) had more time for sports and leisure, easy-to-wear jumpsuits (except for that pesky visit to the bathroom) became a popular garment. (There were also "beach pyjamas," sometimes one piece, sometimes two--but that's for another post. And rompers and playsuits: often simply an abbreviated jumpsuit!).

Top row: “TuTa,” designed by Thayaht (Ernesto Michahelles), 1919
Joan Crawford, looking amazing (and slightly spooky!) in a jumpsuit, ca. 1920s. Image from ilarge.listal.com, via Pinterest
Jean Harlow in a velvet jumpsuit designed by Vera West; photographed by Ray Jones. Courtesy Mothgirlwings.tumblr.com
Middle row: Elsa Schiaparelli “shelter suit,” 1940s. Courtesy costumedept.eu.com
A pre-blonde Ginger Rogers in a wide-legged jumpsuit, 1940s. Courtesy pickyourselfup.tumblr.com
Jumpsuit from Vogue, 1950s. Courtesy tammy17tummy.tumblr.com
Bottom row: Mid-1960s jumpsuit. Courtesy blog.wiseling.com
 Veruschka in a Norma Tullo jumpsuit, 1970s. Courtesy superseventies.tumbler.com
Thierry Mugler jumpsuit, 1980. Courtesy beauty-is-a-warm-gun.blogspot.com


The jumpsuit evolved from slinky (1930s) to more functional (1940s) to wide-legged palazzos for entertaining (also 1940s and then 1960s) to more streamlined (1950s) to anything goes (1970s) to avant-garde (1980s) to today: halter, wrap, sleeveless, wide legged or slim, there is a jumpsuit for everybody (and every body!). Remember, fit is important--no saggy bums, please (unless you're going for that M.C. Hammer effect). 

Now let's look at some lovely jumpsuit patterns from members of the Pattern Patter team on Etsy!

Top row, left to right: McCall 7277: retromonkeys

Top row, left to right: Simplicity 9370: RebeccasVintageSalon



For more on jumpsuits, refer to this informative post written by Amy from ViennasGrace, which was published on our blog last year.

Which jumpsuit would YOU like to jump into? Tell us in the comments!


Text sources: Wikipedia, Italian Vogue (vogue.it/en) 

Wednesday, February 19, 2014

Focus On: Bed Jackets and Slippers

by Sherri of sewbettyanddot

I sometimes imagine myself in my boudoir, sitting in front of my lovely dressing table wearing a lovely nightgown with a pretty bed jacket over it and some stylish slippers. The reality? A t-shirt and baggy cardigan sweater that was my dad's, worn with flannel pajama bottoms and mukluks (we don't have any heat!)--oh, and there is no dressing table either.

The slippers like the ones that can be made from these patterns obviously aren't really for keeping your feet toasty, nor are the bed jackets much use in warming up your shoulders--traditionally, knitted footwear and robes made of heavier fabric have more practicality. But look how pretty these are...or in the case of some of the slippers, delightfully quirky!

Slippers, obviously, are meant to be quickly put on and taken off, and they most likely evolved from sandals (worn outside) to footwear only worn inside, thus keeping the dirt on outdoor shoes from being tracked inside. The shape and form of the garment we now call a bed jacket was most likely first worn in the 19th century. Also known as a Manteau de Lit, or "short gown," it was a loose–fitting garment worn over a dress--not a coat (of heavy or stiff fabric, so not practical to be worn while doing work) or a cape (too voluminous), it was an overgarment often fastened with pins, not buttons.

 In the twentieth century, these short lightweight garments evolved into lacy or sheer material primarily worn in the bedroom, usually atop a somewhat revealing negligee, as part of peignoir sets (peignoir literally means "something to be worn while one's hair is combed"). The bed jacket was frequently seen in films of the thirties and forties, worn by elegant stars such as Jean Harlow and Rita Hayworth (with boa-trimmed mules, perhaps?). Joan Crawford was infamously photographed wearing a bed jacket when she won her (only) Academy Award for Mildred Pierce in 1945. Miss Crawford claimed to be ill and so didn't attend the ceremony (some have speculated that she feared losing to Ingrid Bergman). She did win and accepted the Oscar--an acceptance documented by the press, who happened to be at her house--in bed in full makeup and a bed jacket, of course! You can see her here.

Want to make your own slippers and bed jacket? Here are some lovely patterns from the Pattern Patter team to get you started--including the classic bunny slipper!

(Pls. click on the images to make them larger.)

Top, left to right: Butterick 3532: prettypatternshop

Top, left to right: Simplicity 7643: DejaVuPatterns

Which slippers and bed jacket would you like to slip on? Tell us in the comments!

Tuesday, December 17, 2013

Focus On: Scarves

By Sherri from sewbettyanddot


The snow is snowing, the wind is blowing
But I can weather the storm!
What do I care how much it may storm?
I've got my love to keep me warm.


I can't remember a worse December
Just watch those icicles form!
What do I care if icicles form?
I've got my love to keep me warm.


"I've Got My Love to Keep Me Warm" (Irving Berlin)

Even if you have love to keep you warm, you still might want to don a scarf. And even if you don't need to be warm, you might want to wear one as a fashion accessory!

As practical garments, scarves have their origin in ancient Rome, where they were often a cloth strip tied around the neck and used to wipe sweat or food from the face (ewww!). Originally worn by men, scarves were soon adopted by women--and they've been in fashion, in one form or another, ever since. Throughout history, scarves have had many purposes--as head coverings (for cleanliness, for instance, in a dusty climate, or for modesty); as indicators of rank (Chinese warriors could be identified by the color and material of their scarves), or, of course, to cover the neck and chest for warmth. In the twentieth century, iconic scarf wearers included Isadora Duncan, Audrey Hepburn [couldn't find a photo that I could use here, but we all know what Audrey looks like!], and Dr. Who.
Left: Isadora  Duncan; Right: Fourth Doctor (Dr. Who). Both images from Wikipedia
Of course, many scarves have very little practical purpose. Printed scarves tied around the neck or fastened with brooches reached their pinnacle as accessories in the 1960s and 1970s (think Vera's lovely prints, or the coveted Hermes scarf, for example).

Let's have a look at some vintage scarf patterns from the Pattern Patter team. In some cases, you could have that scarf built in to the dress itself...no chance of losing it! (This post is only looking at scarves worn around the neck, not headscarves.)  As always, please click on the images to enlarge them.

Top row, left to right: Advance 2995: Sandritocat;
Butterick 4680: PrettyPatternShop

Top row, left to right: McCall’s 6681: Denisecraft


Top row, left to right: Simplicity 5184: patternshop

If you were going to tie one on, which of these beauties would YOU choose? Tell us in the comments!