Showing posts with label sewing patterns. academic. Show all posts
Showing posts with label sewing patterns. academic. Show all posts

Wednesday, November 19, 2014

Focus On: Coats

by Sherri, Sew Betty and Dot

Now that winter is truly upon us, I bet most of us have reached for a coat. What kind of coat are you wearing this year? Duffle, trench, or princess? Reefer, chesterfield, or polo? Loden? Redingote? Trimmer or cocoon? Swagger or clutch? (Or just a plain ol' coat?) These are all styles of outerwear that have been popular since the turn of the twentieth century. In this post, I have focused on long coats--those that come to the knee or below; shorter coats, or jackets, will be discussed in another post.

Coats, specifically "overcoats," are relatively new garments for women; due to the wide skirts that were the fashion up until the turn of the twentieth century, many women wore capes, cloaks, or shawls for warmth (there were exceptions, of course--the pelisse was a long-sleeved outer garment that echoed the lines of ladies' dresses before, during, and after the Regency period).

In the 1920s, coats became fashion statements as much as protective garments against the elements. The straight lines of twenties frocks were covered with cocoon coats, somewhat shapeless garments that swaddled the body; these often had fur cuffs and fur collars. In the thirties, more styles of coats emerged: double-breasted coats that buttoned, including the collegiate-style coat, Hollywood, and reefer coat; the polo coat, a double-breasted wrap coat ; princess coats had, well, princess seams that created a slim silhouette on top with a more flared "skirt" on the bottom half; swagger coats are very full coats, shaped like an inverted "V," usually with raglan sleeves. (By the way, a Chesterfield coat--originally an man's style--is a double-breasted coat with high peaked collars, somewhat flared, with a velvet collar.)
Top row, left: a cocoon coat (courtesy artdecoblog.tumblr.com)
Right: swagger coat (courtesy vintagedancer.com)
Bottom row, left: princess coat (courtesy adore-vintage.blogspot.com)
Right: wraparound, reefer, Hollywood (courtesy vintagedancer.com)

In 1942, as fabric became more scarce due to wartime restrictions, the United States War Production Board implemented L-85, which forbade things such as unnecessary pleating, turned-back cuffs, overly large collars, etc., and coats became much simpler and boxier for a time. After the war, the New Look (nipped-in waist, very full skirt) could also be seen in outerwear (princess coats again). Coats with very full silhouettes and bell sleeves, sometimes called swing coats, were popular (partially due to the postwar baby boom: a full coat was comfortable for a pregnant woman--no belts!). And clutch coats--that wildly impractical garment with no fasteners--were stylish throughout much of the 1950s. And of course, in the 1960s, anything went: women wore men's coats, short swingy coats were made to cover short minis, ethnic influences could be seen (East Asian embroidery, Russian steppe dwellers, poncho shapes)--and of course, there was the maxi coat. 
Left to right: 1940s wartime coats (courtesy uvm.edu; New Look coats (courtesy glamourdaze.com); a 1950s swing coat (unattributed, from Pinterest.com); 1960s coat styles (courtesy secondhandwithstyle.com); early 1970s coat (courtesy bessgeorgette.com)

In the 1970s, maxi coats and trench coats were often seen, with wrap coats becoming very popular (short jackets and longer coats). Duffle coats (wool coats fastened with toggles), pea coats--anyone else here buy those sorts of coats at the Salvation Army? I did!--loden coats...the seventies fashionista could take her pick. As always, fashion recycles itself...in the 1980s and 1990s, some version of almost all of these styles could be had. 

Now let's take a look at some lovely coat patterns from members of the Pattern Patter team. 
Top row, left to right: 1920s/1930s Pattern (PDF): Mrsdepew


Top row, left to right: Vogue 1466: Anne8865
Top row, left to right: Simplicity 9019: PeoplePackages
Vogue 1458: allthepreciousthings

Which one of these coats would YOU like to wrap yourself in? Tell us in the comments!

Tuesday, October 14, 2014

Focus On: Jumpsuits

by Sherri, sewbettyanddot

The jumpsuit: every few years, the Paris runways are full of them; it's a style that has never really gone out of style since its appearance in the early twentieth century. Technically, a jumpsuit is:

  1. a garment incorporating trousers and a sleeved top in one piece, worn as a fashion item, protective garment, or uniform.

But we all know differently! A jumpsuit can be an easy-breezy, cool, and fashionable garment (as a slew of entertainers--Elvis, David Bowie, Freddie Mercury--and fashionistas have known for decades!). 


The word itself explains this garment's origins: they were developed to keep aviators warm in freezing open-air cockpits during the early days of flight (Amelia Earhart can be seen wearing them)--and paratroopers wore them to "jump" out of planes. A similar garment, coveralls, well, they covered all (of the clothing worn beneath them). They are also called "boilersuits," and they were originally worn by workers maintaining steam-powered engines--as this work required one to sometimes climb into the boiler (or firebox on a locomotive), the one-piece suit prevented soot (or embers) from getting into, for example, the waistband of trousers; the sleek lines also helped to prevent the garment from snagging on something when one needed to enter tight spaces. And as skiing became more popular as a leisure-time activity in the 1920s, specially designed ski suits (often one piece for aerodynamics and to keep the snow out) were available, including chic suits by couturiers such as Lucien Lelong and Elsa Schiaparelli).


Women began to fill factories during World War II--Rosie the Riveter, we're looking at you!--and coveralls (and overalls, too) were worn, again, as a protective garment, both in terms of nothing getting caught in machinery (their hair was worn back or wrapped with the famous Rosie bandanna/scarf) AND as a way to keep clothing clean (fabric became more scarce during the war so new clothes became a luxury for most people). Reportedly the workers hated them as they had to practically undress just to use the bathroom--but the coverall has become an iconic image representing the "Yes We Can" spirit of women moving into the workplace and helping in the war effort.


Top left: Clad in a fur lined leather flying suit with oxygen facepiece, NACA test pilot Paul King prepares to take to the air in a Vought VE-7, 1925. Courtesy NASA Langley Center, courtesy Wikipedia.
Top right: Boiler suit [at right], from a 1920s Brown Bros. leaflet, courtesy oldclassiccar.co.uk
Bottom left: Lucien Lelong ski outfit, photo by Egidio Scaioni, 1927.
Bottom right: Factory workers in coveralls/boiler suits in England during World War II. Photo courtesy thephotodetective.co.uk

In terms of a non-work-related jumpsuit, in 1919 Italian designer Ernesto Michahelles--who was part of the Futurist art movement--designed the "TuTa," a T-shaped garment for men cut from one piece of cotton and constructed with one straight cut, several seams, seven buttons and a belt (pictured below, top row left). (He renamed himself Thayaht, a bifrontal palindrome, reflecting the symmetry of his design.) The pattern for the TuTa was published in an Italian newspaper to make it accessible to the greater public. There was also a version for women. Alexandr Rodchenko also designed a uniform-like jumpsuit in 1922 (interesting that artists first jumped on the bandwagon--pun intended!). And from that point forward, as some women (those in the upper economic classes, at least) had more time for sports and leisure, easy-to-wear jumpsuits (except for that pesky visit to the bathroom) became a popular garment. (There were also "beach pyjamas," sometimes one piece, sometimes two--but that's for another post. And rompers and playsuits: often simply an abbreviated jumpsuit!).

Top row: “TuTa,” designed by Thayaht (Ernesto Michahelles), 1919
Joan Crawford, looking amazing (and slightly spooky!) in a jumpsuit, ca. 1920s. Image from ilarge.listal.com, via Pinterest
Jean Harlow in a velvet jumpsuit designed by Vera West; photographed by Ray Jones. Courtesy Mothgirlwings.tumblr.com
Middle row: Elsa Schiaparelli “shelter suit,” 1940s. Courtesy costumedept.eu.com
A pre-blonde Ginger Rogers in a wide-legged jumpsuit, 1940s. Courtesy pickyourselfup.tumblr.com
Jumpsuit from Vogue, 1950s. Courtesy tammy17tummy.tumblr.com
Bottom row: Mid-1960s jumpsuit. Courtesy blog.wiseling.com
 Veruschka in a Norma Tullo jumpsuit, 1970s. Courtesy superseventies.tumbler.com
Thierry Mugler jumpsuit, 1980. Courtesy beauty-is-a-warm-gun.blogspot.com


The jumpsuit evolved from slinky (1930s) to more functional (1940s) to wide-legged palazzos for entertaining (also 1940s and then 1960s) to more streamlined (1950s) to anything goes (1970s) to avant-garde (1980s) to today: halter, wrap, sleeveless, wide legged or slim, there is a jumpsuit for everybody (and every body!). Remember, fit is important--no saggy bums, please (unless you're going for that M.C. Hammer effect). 

Now let's look at some lovely jumpsuit patterns from members of the Pattern Patter team on Etsy!

Top row, left to right: McCall 7277: retromonkeys

Top row, left to right: Simplicity 9370: RebeccasVintageSalon



For more on jumpsuits, refer to this informative post written by Amy from ViennasGrace, which was published on our blog last year.

Which jumpsuit would YOU like to jump into? Tell us in the comments!


Text sources: Wikipedia, Italian Vogue (vogue.it/en) 

Wednesday, June 11, 2014

Book Review A History of the Paper Pattern Industry

A Book Review: A History of the Paper Pattern Industry
by Joy Spanabel Emery


    Joy Spanabel Emery’s new book; AHistory of the Paper Pattern Industry,The home dressmaking revolution is a must-have resource for anyone interested in the history of not only sewing patterns but fashion as well. The book is organized chronologically beginning with the oldest surviving book on tailoring published in Spain in 1580, and ending with the modern patterns up to the year 2010. With 200 well placed illustrations (125 color, 75 black and white), the book progresses smoothly through the centuries and decades. 





Each chapter covers a period in history and the events that influenced the styles produced by the pattern companies. The section that was the most interesting to me covered the restrictions on fabric usage during the war effort of the 1940’s.  


   I found the book to be very interesting and enjoyable.  As a bonus, she has included 9 sewing patterns with instructions that can be scaled for use. Remember that the instructions are minimal for older patterns and these are not the exception!