Showing posts with label designer patterns. Show all posts
Showing posts with label designer patterns. Show all posts

Friday, April 20, 2018

1950s Cocktail Dresses






Most agree cocktail dresses reached their height in the 1950s. After the end of World War II, a surge in the popularity of "at-home" cocktail parties created the need for women to have a short dress suitable for more formal occasions - in essence, a short version of an evening gown. Dior is said to have first coined the phrase "cocktail dress" in the late 1940s. 



French designers released cocktail-specific dresses. Less expensive ready-to-wear dresses were eagerly embraced by American women. A great many sewing patterns for cocktail dresses were also produced in the 1950s. High fashion was now available to everyone.




Cocktail parties helped define women's roles as wives and hostesses. They were also a means to promote or further their husband's career.



The beauty of most 1950s cocktail dresses is the design of pleating, ruching, folds and gathers. 



There are two main cocktail dress styles: the bouffant skirt dress and the sheath dress. The full skirted dresses were always worn with a petticoat or two. The sheath dresses were slim around the body. The hourglass silhouette of both styles required the wearing of bullet bras, waist-cinchers, corselets and girdles.

By the mid-1960s, formal dress for cocktail parties began to give way to more casual attire. By the late 60s - 1970s, hostesses wore a "hostess dress" - a full length dress with a simpler design than those of the 1950s. Hostess dresses are sometimes called patio dresses as cocktail parties moved outdoors.



The Pattern Patter Team on etsy offers a large variety of cocktail dress patterns. 


Row One: 
McCall's 4357 @ BluetreeSewingStudio
Vogue 199 @ ViennasGrace
McCall's 3781 @ Redcurlzs
McCall's 6044 @ CloesCloset

Row Two
Vogue 4218 @ VintagePatternStore
Vogue 1881 @ VogueVixens
Butterick 7648 @ TheTinThimble
McCall's 3827 @ ThePatternSource

Row Three
Butterick 6095 @ FindCraftyPatterns
Butterick 5557 @ PurplePlaidPenguin
Modes Royale 1883 @ kinseysue
McCall's 4417 @ honeymoonbus

Row Four
Vogue 4963 @ sewbettyanddot
Butterick 5557 @ retroactivefuture
Modes Royale 1749 @ stitchingbynumbers
Advance 110 @ SewAsItWasPatterns

Monday, December 14, 2015

Looks From Vogue - December 1962!



As a little holiday treat.. how about some looks from Vogue... December 1962!   These sweet looks are sure to please!




Look at the cute cover design with whimsical holiday ornaments and Big Ben & the Eiffel Tower. :) Also, rather difficult to see on the cover is Vogue Paris Original 1200 by Pierre Cardin.


Vogue 5752, 5751, 5753, 5754


Easy elegance in these lovely fashions!  Which one do you like best?  So Vintage On Etsy  has Vogue 5753 in stock.. it's a super-classy dress!  Here's some more similar patterns from the Pattern Patter Team:



1.)  Vogue 6162; Violet Crown Emporium
2.)  Vogue 6885; Mbchills
3.)  Vogue 5905; Retroactive Future

Vogue 1197, Vogue 1195

Here's super-chic designer looks from John Cavanagh and Nina Ricci!  That hood is something else!!
So Vintage on Etsy has Vogue 1195 in stock and it is a beauuuuty!  Wow wheee!

Here's some looks from the same designers:


1.)  Vogue 1501 by Nina Ricci; Redcurlzs
2.)  Vogue 1331 by John Cavanagh; Fragolina
3.)  Vogue 1192 by John Cavanagh; Sew As It Was Patterns


Vogue 1199, 5647, 1196

Here Vogue offers your whole holiday wardrobe... designer, of course!  On the left by Jacques Griffe, in the middle, "Easy to Make", and on the right by Jacques Heim.  Rare patterns for sure!  You can see how fashion-forward Vogue was.. already giving us a hint of "Mod" in 1962.

Here's some fashions from the same designers:


1.)  Vogue 1232; Griffe; So Sew Some
2.)  Vogue 1574; Heim; So Vintage on Etsy
3.)  Vogue 1497; Griffe; Grey Dog Vintage
4.)  Vogue 1427; Heim; Purple Plaid Penguin

Vogue 1198, 1194

More class than you can shake a stick at with these looks from Ronald Paterson of England and Pierre Cardin.

Some looks from the same designers:


1.)  Vogue 1391; Paterson; Sew As It Was Patterns
2.)  Vogue 1142; Cardin; Whatnot Gems
3.)  Vogue 1410; Paterson; So Vintage on Etsy
4.)  Vogue 2075; Cardin; Erika With A K

Vogue 5758; 5759; 5756

More easy-sew elegance!  Here's some similar patterns from our team.


1.)  Vogue 9615; Fancywork
2.)  Vogue 5972; Frisky Scissors
3.)  Vogue 5542; Sydcam 123
4.)  Vogue 5612; Sandritocat

Vogue 5755
Another amazing hooded number, Vogue says it has "flapper" style, "great for campus or country."  Great for anything, if you ask me!

More cool outfits with hoods from the team:


1.)  Vogue 8154; Mbchills
2.)  Vogue 5853; So Vintage On Etsy
3.)  Vogue 5483; Fragolina
4.)  Simplicity 4932; Redcurlzs

Vogue 5757

On the back cover, Vogue suggests brocade for your holiday parties!

Well, that's about all for now!  Don't you like the cute illustrations?


Tuesday, March 31, 2015

Focus On: McCall's New York Designers' Collection Plus: Arlette of Réal

By Sherri, SewBettyAndDot

We were treated to another fantastic "Sewing Through the Cinema" blog post by Amy from ViennasGrace a few weeks ago; she featured the 1968 film Petulia, starring gorgeous Julie Christie wearing fab mod clothes by the designer Arlette Nastat, also known as Arlette of Réal. In her post, Amy showed us four patterns by Arlette, which are part of McCall's New York Designers' Plus series. We'll get to Arlette in a moment.

McCall's launched its designer series in 1965 as a way to draw in young sewists and those seeking the newest fashions. Butterick had already begun to produce their line of Young Designer patterns in 1964 with Mary Quant as the first designer featured. (Please see this Focus On blog post for more info on Mary Quant.) 

Interestingly, the series was first called "New York Designers' [note the plural possessive here] Collection Plus 1": this was because the first designers were all American with the addition ("Plus 1") of Digby Morton, a London couturier. The first designers were Larry Aldrich, Geoffrey Beene, Bill Blass, Laird-Knox, Digby Morton, Originala, Mollie Parnis, and Pauline Trigère. 



Top row, left to right: McCall’s NYDCP 1032 (Larry Aldrich): patternshop

It's interesting that they are all relatively simple A-line garments. Additional info on these designers (and more!) in future blog posts. 

Now, back to Arlette Nastat: born in France in 1937, she was a force in the fashion world from the late 1950s to the 1980s; as late as 1989, an L.A. Times article recommended visiting her Paris shop on Rue de Passy in the Sixth Arrondissement. Arlette was the favorite designer of Brigitte Bardot (and in fact dressed Bardot throughout the late 1960s). Her father was in the ready-to-wear business, and at the age of 19, along with her friend Hélène Varger (also her sister-in-law), she opened a boutique called Real on Rue St. Honoré. 
Image courtesy Pinterest
In a 1964 article about fashion trends in the Schnectady (N.Y.) Gazette, the writer describes Nastat as the "high priestess" of a new wave of style: 


"Simultaneously the new feeling of fun, novelty and creativity is erupting in cities and towns of Europe, the United States and even Japan. Jet airplane travel is setting the pace for a smaller, faster world. Pop art, new dances like the Frug and the LeKiss, fast cars, and the Ye-Ye look in clothes are spontaneous examples of a love for living that is becoming universal everywhere. High priestess of this new wave is Arlette Nastat, the young Parisienne who designs for a shop called "Real," on the Rue St. Honore, and for the Arkins in New York under the name of Mademoiselle Arlette. Such famous fashioned trendsetters as Brigitte Bardot and Jane Fonda sometime ago found in Arlette Nastat the empathy for creating clothes that projected their image of innocent seductiveness. Today, Catherine Deneuve, the rising young movie star, and Sylvie Vartan, the Ye-Ye singing rage of Paris, head the list of fashionable young women everywhere whose wardrobes consist solely of clothes designed by Arlette Nastat. The Mademoiselle Arlette spring collection is young, bubbly, and infinitely wearable. There is a well balanced wardrobe story, of coats, coat ensembles, suits, dresses and jackets and dresses for day and evening. ...The basic shape is a modified A with a neat spare shape. Pleating, narrow braid trim, military flap pockets, and Venice lace collars are some of the details contributing to the well bred school girl look so popular now.... Many coats have figure skimming dresses in contrasting or matching colors, underneath.... Skirts are gored, box pleated, kick pleated, bias or A line, but never, never straight.... Dresses—the basic shape is the Princess skimmer. Most dresses are sleeveless, the look that Arlette believes to be the most contemporary and flattering to young figures.... Easter egg colors plus a wonderful new shade called gentle magenta are used throughout."

What was "yé-yé"? Derived from the words "yeah-yeah," this European pop music style was made most famous by singer-songwriter Serge Gainsbourg. Most yé-yé singers were beautiful young women such as Françoise Hardy, France Gall, and the glamorous, ultra-cool, gorgeous Sylvie Vartan (if you're not familiar with her, do yourself a favor and Google her!) Arlette designed Sylvie's wedding gown (below--wow!) worn at her wedding to French heartthrob Johnny Hallyday.
Image courtesy weddingsecret.co.uk

In addition to being the costumer on Petulia, Nastat was also credited with costumes in the 1967 films À Coeur Joie, starring Bardot, and La Route de Corinth (dir. Claude Chabrol), which featured cool girl Jean Seberg.
Top row: Jean Seberg in La Route de Corinth; Brigitte Bardot in À Coeur Joie; Seberg
Bottom row: Still from À Coeur Joie.
Seberg images courtesy thelucidnightmare.blogspot.com; Bardot images courtesy luxhedera.wordpress.com

As Amy noted in her Petulia post, here are the four McCall's Arlette patterns--based on costumes from the movie and modelled by Julie Christie--that we can track down. The two on the top row are from Pattern Patter team shops and are currently available to buy--these are rarities, so snap them up while you can!
Bottom row: McCall’s NYDCP 1041 (Arlette of Real for Joan Arkin) (courtesy VintagePatternsWikia.com) 
McCall’s NYDCP 1042 (Arlette of Real for Joan Arkin) (courtesy VintagePatternsWikia.com)

The "for Joan Arkin" notation under "Arlette of Real" refers to the designer Joan Arkin, whose husband Andrew Arkin marketed Arlette's clothing under the Mlle. Arlette (and the Real line for juniors) label in the United States. Despite a LOT of research, I've been unable to unearth why "for Joan Arkin" is on these patterns--she was a designer herself, but it was her husband whose company marketed adaptations of Arlette's clothes for the American audience. (If anyone knows anything about this relationship, please let us know!). Andrew Arkin was the son of Leonard Arkin whose New York fashion house produced clothing under various labels, including Leonard Arkin and Andrew Arkin. The Advance pattern company produced several patterns by Leonard Arkin. Whew! The fashion connections are intermingled and far reaching! 

Arlette designed for the cool French girl (and she was one herself): Brigitte Bardot, Catherine Deneuve, Silvie Vartan...whose style do you like the best? Tell us in the comments!

P.S. There is an accent on the "e" in "Real" but Blogger wouldn't let me put it in after the first few times. Argh!

Tuesday, December 16, 2014

Focus On: Butterick Young Designers: Mary Quant

By Sherri, sewbettyanddot

When we think of designer sewing patterns, many of us probably immediately think of Vogue: Vogue began to publish named designer patterns around 1949. Stay tuned for more blog posts about Vogue designers! The other pattern companies also created designer pattern lines, and in this post we'll start with Butterick.

Butterick began its Young Designer series of patterns in 1964 in an effort to appeal to a more youthful seamstress, and Mary Quant was a natural choice to begin the series. Quant was born in England in 1934 and graduated from Goldsmith's College, London, with a degree in Art Education. She began her career in fashion as an apprentice to a milliner whose shop was located next to the venerable Claridge's Hotel. In 1955--at the age of 21--she opened a shop called Bazaar on the King's Road in the bohemian Chelsea neighborhood in London; a second branch followed in 1957. Mary Quant was in the forefront in making London, for the very first time, a fashion capital.

Her youthfulness meant that she identified closely with her customers. With the success of several garments she designed and made, she decided to focus on her own clothing line. Quant's idea was that women and girls without a big budget should still be able to look hip and chic, and she also believed that clothes should be simple and easy to move in. Her shops were the place to be: she was friends with Vidal Sassoon (she sported his iconic five-point bob) and the Beatles (Pattie Boyd married George Harrison in a Quant mini). According to the London Guardian, "Quant was responsible for hot pants, the Lolita look, the slip dress, PVC raincoats, smoky eyes and sleek bob haircuts...."

Left to right: Vidal Sassoon cutting Mary Quant's hair (courtesy classicenglishstyle.com);
The second branch of Bazaar, on Brompton Road (courtesy queensofvintage.com)
Pattie Boyd with the Rolling Stones (wearing a version of the dress in Butterick 3287!) (courtesy glamouragogo.blogspot.com)
A 1960s Mary Quant ad (courtesy glamouragogo.blogspot.com).

She is, of course, one of the designers often credited with "inventing" the miniskirt (along with French designer André Courrèges) in the early 1960s. She claimed that it was her customers who were responsible for the garment: they kept insisting that she make their skirts shorter and shorter and shorter. She has said, too, that she was influenced by ballet costumes, both in terms of short skirts/dresses AND the tights that went under them. Whether or not she invented it, Quant definitely popularized the miniskirt--and some sources say that she named it the Mini after her favorite car (she designed a special edition Mini car in 1988, complete with her signature daisy motif). In the late 1960s Mary Quant made hot pants ubiquitous and popular, as well as colored tights and color-blocked a-line dresses, and her make-up line was wildly successful (spider lashes, smoky eyeshadow, and pale lips were all part of the Quant look). The two models who are most associated with Mary Quant are Jean Shrimpton and of course, Twiggy!

Top row: models wearing Mary Quant designs (courtesy u1010026.wordpress.com)
Twiggy wearing a Quant design (courtesy strawberrylemonade.blogspot.com)
Bottom row: A Mary Quant Daisy doll (courtesy Wikipedia)
Mary Quant with images of Royal Mail stamps featuring her and the Mini automobile, ca. 2009 (courtesy excoboard.com)

Quant sold/licensed her designs to J. C. Penney in the early 1960s, allowing her clothes to be mass produced and introduced to the American market. She designed tights, make-up, and accessories as well, and there was even a Mary Quant Daisy fashion doll. In 1966 she was made an Officer of the Most Excellent Order of the British Empire (OBE) and received the honor from Queen Elizabeth wearing a blue jersey miniskirt. Mary Quant is now 80 years old.

Top row: Mary Quant receiving her OBE award at Buckingham Palace in 1966
Quant fashions in J.C. Penney catalogue
Quant fashions in J.C. Penney catalogue
Middle row: J.C. Penney catalogue
Mary Quant makeup advertisement
Tights by Mary Quant
Bottom row: An ad for Quant dresses
Fashions for Mary Quant's Daisy doll
A toaster designed by Mary Quant
(all image courtesy tumblr.com)

Given all of the above, I'd say that Butterick definitely had their finger on the pulse of youthful fashion when they chose Mary Quant as their first Young Designer!

Now let's look at some Butterick Mary Quant patterns from members of the Pattern Patter team!

Top row: Butterick 3505: Fragolina



(Text sources: Wikipedia; vam.ac.uk.com; biography.com; dailymail.co.uk)

Which Mary Quant pattern makes gets your motor revving? Tell us in the comments!